Black Panther: Wakanda Forever, 2022 - ★★★½
We need the MCU to go smaller(1). This feels like a story torn between two movies: one an emotional drama about losing a loved one and a leader that needs to deliver on a promise to provide solace and introspection to the audience, the other a blockbuster action flick that needs to deliver on a promise to provide spectacle to the audience. Ultimately it underdelivers in both camps. I feel as though Ryan Coogler wanted to make a more intimate Shuri-focused film, evidenced by several scenes that feel integral to her development as a character but maybe not relevant to the development of the primary storyline with Namor. There’s just too much going on that steals that focus away, with Ironheart and Julia-Louis Dreyfuss’s storylines in particular tugging away at the frayed edges. By the time the video-game-action-figure-green-screen-epic-battle rolls around, I knew it was time to finally take that pee break(2) because nothing would happen for the next ten minutes.
(1) Not like Quantumania.
(2) I do not recommend watching a movie about ocean people with liquid bombs and trickling, gurgling sfx when ya gotta go 😕
It’s still fall even if I’m listening to Christmas music. These things are not mutually exclusive.
Arthur Christmas, 2011 - ★★★★
Absolutely zany, but like the best Aardman films, the zaniness manages to be tasteful. Some of the funniest gags in a Christmas movie for sure. And honestly a pretty touching moment at the end. It's a bit of an information overload at times with hyper visuals and quick-firing dialogue (a similar feeling I had watching The Mitchells vs. The Machines... am I just getting old?) but overall very sweet, very funny, and very much going to be a Christmas staple from here on out.
The Bishop's Wife, 1947 - ★★★
I imagine this is what Cary Grant was like in normal life.
Christmas in Connecticut, 1945 - ★★★½
Could use about 80% less focus on the men. I’m only here for Barbara.
See How They Run, 2022 - ★★★★
Hyper-reflexive film. Genuinely concerned for the script’s spine because of how often it arcs back on itself. Could’ve used a bit more development here and there but 🤷♂️ it’s a whodunnit. It’s fun, it’s cute, and Saoirse stares at the camera for most of it. What more could you want?
Emmet Otter's Jug-Band Christmas, 1977 - ★★★½
Takes a bit too long to get into it and those first two songs are 😰 rough. But the muppeteering is top notch (and sooo fuzzy) and that last song is pretty sweet. Love that froggy.